853: Groundhog Day
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Prologue: Prologue
Ira Glass
It's a little ritual that Parker invented for herself and it's always the same, every year. Around this time of year, February 2, to be exact.
BA Parker
February 2, which is Groundhog Day, at 10:30 at night, I turn on the movie Groundhog Day.
Phil
Rita, I'm reliving the same day over and over. Groundhog Day.
Ira Glass
Groundhog Day, of course, is the 1993 Bill Murray comedy about a self-centered weatherman who gets trapped in time, repeating the same day again and again, a day where he covers a Groundhog Day ceremony on local TV.
Phil
Once a year, the eyes of the nation turn to this tiny Hamlet in Western Pennsylvania to watch a master at work. The master, Punxsutawney Phil, the world's most famous weatherman, the Groundhog, who, as legend has it, can predict the coming of an early spring.
Ira Glass
Bill Murray spends the whole film repeating February 2nd.
Phil
Well, it's Groundhog Day again.
Ira Glass
Until, finally, at the end of the film, he unsticks himself in time and wakes up on the next day. Again, here's Parker.
BA Parker
I time it up so that when it's around midnight, when it's February 3 in the world, it's February 3 in the movie. So when it's February 3 in the movie, it becomes February 3 in the world, which is my birthday. So I do it as, I call it, like I'm slowly boiling myself into my birthday.
Ira Glass
Parker says she's not a big birthday person, but this is a little thing she's done for herself to mark the day ever since she was 22. First saw Groundhog Day in a film class.
BA Parker
I was in a program where I was the only Black person, the only woman. Everyone was 10 years older than me.
Ira Glass
Oh, wow. This was like film studies?
BA Parker
This was film school, yeah. But so it was just it was a very lonely place.
Ira Glass
So she created this birthday movie night for herself to do alone, that she still does alone every year with the film Groundhog Day, that she's going to do this year for the 16th time. And maybe you think that means that she's really into the film Groundhog Day. Nope.
BA Parker
I don't love the movie. The movie's fine. Like, it's OK. I don't mind it. It's not my brand of humor. Also, I don't know, in the 21st century, some of the stuff is fairly problematic.
Ira Glass
So, like, for instance?
BA Parker
Well, there's whole sequences where Phil Connor, who is Bill Murray's character, is trying to seduce two women, and he keeps repeating the day so he can ascertain information to seduce them.
Phil
Can I buy you a drink?
Rita
OK. Sweet vermouth on the rocks with a twist, please.
BA Parker
So it's not like known consent.
Ira Glass
Right. So he's tricking them into it?
BA Parker
He's tricking them into hooking up with him.
Phil
Can I buy you a drink?
Rita
OK.
Phil
Sweet vermouth, rocks with a twist, please.
Rita
That's my favorite drink.
Phil
Mine, too. It always makes me think of Rome, the way the sun hits the buildings in the afternoon.
Ira Glass
Parker says there are lots of films she'd much rather be watching once a year, year after year. Like her favorite film, Point Break, the Keanu Reeves surfing film.
BA Parker
That, I can watch forever and not be mad about. That's fine. But the past, however long years I've watched Groundhog Day, again, it's fine.
Ira Glass
It's fine--
BA Parker
It's fine.
Ira Glass
But you do it every year.
BA Parker
Maybe I don't totally understand why I still do it, like, for so long, but it works for me. It's a thing that I can do for myself, by myself. And the repetition is comforting, even if I'm forcing myself to do it. I'm not a person who's good at repetition. I got ADHD. My brain's all over the place. But February 2, 10:30 PM, I can turn on Groundhog Day. I know what I'm getting into, and then I am absorbed by the movie. And then all of a sudden it ends and I go, oh, that's right, it's after midnight. I was born. There's a comfort in that.
Ira Glass
But the thing that makes it feel comforting is the repetition and it's a movie about how awful repetition is.
BA Parker
Yeah, there's an irony to it, I'm aware. But I like the repetition. Groundhog Day, the repetition is awful, but the end result of the repetition isn't half bad.
Like, Phil, totally improves himself. He learns how to be a considerate human being. One of the last things he says to Andie MacDowell in the movie is, What can I do for you?
Ira Glass
Today on our program, for Groundhog Day, the power of repetition, how it can be utterly devastating to do something you love dozens of times or hundreds of times. You can rob it of all feeling. You can turn it into drudgery. But repetition can also do the opposite.
The more you do something, the more you can find in it and live in it. I've said these next few words hundreds of times, and I say them today excited for what is to come this hour. From WBEZ Chicago, This American Life, I'm Ira Glass. Stay with us.
Act One: Will You Still Slug Me Tomorrow?
Ira Glass
This American Life, Act One, "Will You Still Slug Me Tomorrow?" Sometimes, choosing to repeat the same moment over and over again is an act of love. Aviva DeKornfeld has this true life example.
Aviva DeKornfeld
Bridie and her dad, Brin, have been playing the same game for decades. It's called a pinch and a punch.
Bridie
The rules of the game are, you say, "Pinch and a punch. First day of the month. No returns." Obviously, the no returns is important. When I was little, when we started doing this, we would gently, of course, actually do the little pinch and a punch first day of the month.
Aviva DeKornfeld
One of them would actually pinch and punch the other.
Bridie
But over the years, as the way we've done it has become more inventive and stylish, and now that we live in different countries, obviously, the physical element is kind of removed. So it is often just something written down or over the phone.
Aviva DeKornfeld
OK, so it can be any form, it just has to reach the other person?
Bridie
Yes.
Aviva DeKornfeld
Before their pinch and punch reaches you?
Bridie
That's right.
Aviva DeKornfeld
They first started playing this game when Bridie was really little. She can't really remember ever not playing it. It was just one of the many games they played. Brin traveled a lot for work when Bridie was young, and the games were a way for them to stay connected while he was gone. But pinch and punch, this is the game that stuck. It kept going for years and really leveled up when Bridie was in secondary school. One day, when Bridie was 14--
Bridie
I got pulled out of class and sent to the principal's office. So I immediately assumed I was in deep trouble. And I was a very good kid at school. I never did anything naughty, so going to the principal's office was really out of character, so I was immediately terrified.
So I walk to the principal's office, and there's the principal. There's this other guy holding a fancy looking envelope. I open the envelope, message for Bridie Connell, and it's pinch and a punch first day of the month, no returns.
And I think, at that point, in dad's mind, I'm pretty sure he's gone, OK, well, I've escalated this game to the highest degree. She's never going to come back from that. But I think he forgets that he has passed on his extreme competitiveness to me. And from then, it kind of kicked off.
Aviva DeKornfeld
These days, now that Bridie is grown up and moved out, most of the pinches and punches are low key, a phone call, a text. Sometimes Brin or Bridie will try to disguise the sentence in an email sent to the whole family. Bridie says her dad has learned to not open anything from her that's sent just to him on the first of the month. So month in and month out, Brin and Bridie are living in this very specific type of loop, where in order for them to stay in the loop, they have to keep changing it, inventing new ways to win.
Once, a few years ago, Bridie had to get jaw surgery on the first of the month. Her dad was her next of kin, and so she mocked up a fake medical form for her dad to sign, and convinced the nurse to tuck her fake form in with the rest. Bridie proudly won that month. That was kind of a famous win for her, actually, because while Bridie wins more often, her dad's wins tend to be more memorable. His have more flair.
Like once, he convinced Bridie's best friend to interrupt her own wedding to deliver a pinch and punch. He even got Bridie while she was on live radio. The family is from New Zealand, but Bridie lives and works in Sydney, where she was a guest on this weekly local radio show and Brin conspired with the host to get her on air.
Radio Show Host
(INTERVIEWER) RADIO SHOW HOST: Hey, Bridie.
Bridie
Yes?
Radio Show Host 1
(INTERVIEWER) RADIO SHOW HOST 1: I got an email today from New Zealand. I don't often get emails from New Zealand.
Radio Show Host 2
(INTERVIEWER) RADIO SHOW HOST 2: But thankfully, you have also been trained in the internet.
Radio Show Host 1
(INTERVIEWER) RADIO SHOW HOST 1: Yeah. It was from--
Bridie
Was it from mom or dad?
Radio Show Host 1
(INTERVIEWER) RADIO SHOW HOST 1: Do a man called Brin Connell? Brin Connell?
Bridie
OK, that is my dad. Yep.
Radio Show Host 1
(INTERVIEWER) RADIO SHOW HOST 1: We had a long discussion about the seasons, days of the month, New Zealand time, being--
Bridie
Oh no you didn't.
[LAUGHTER]
Radio Show Host 1
(INTERVIEWER) RADIO SHOW HOST 1: A pinch and a punch for the first of the month. He says, on his understanding--
Aviva DeKornfeld
Over time, the rules have evolved. No middle of the night calls. You have to respect time zones. Also, the game is formally suspended on New Year's Eve, since Bridie and Brin would hijack the countdown for their game, And according to Bridie's mom, kept, quote, "ruining the holiday." Bridie says her dad escalated the game to a whole new level in 2019. She was flying home to New Zealand for her cousin Jeremy's 30th birthday party, and the flight was on May 1st, very early in the morning.
Bridie
And, as you know, have rules about really, really, really early morning wake-up calls and pinch and a punch calls are not allowed, and they haven't been allowed for years. So I thought, I'm just going to have to wait. I'm just going to have to hope that by the time I arrive in New Zealand, which will still be fairly early, that dad's forgotten and I can get in there and win for the month of May.
And then that was all I thought about it. And then I got onto the plane, I boarded, I took my seat. And I sat down on the plane. And then about five minutes later, while everyone's still filing into the plane, the cabin manager comes up to me and says, oh, excuse me, Miss Connell, you've been moved.
Aviva DeKornfeld
The flight attendant tells her she's getting bumped up to premium economy and brings her to her new seat.
Bridie
And then he said, oh, by the way, I've got something for you. And he handed me an envelope. And I just thought, oh, maybe I'm about to be-- maybe this is part of the premium economy service. Maybe it's a menu. I don't know what it is. As you can tell, I am not used to that premium economy life.
And I opened the envelope and it was a letter from my dad saying, "I hope you have a great flight. I can't wait to see you when you land. And also, just something to reflect on while you're winging your way across the Tasman, pinch and a punch first day of the month. No returns."
Aviva DeKornfeld
She spent the rest of the flight thinking about how she would get him back. Luckily for Bridie, Air New Zealand is apparently extremely into pranks and offered to help. So together, they made a fake Father's Day themed ad for the airline. Air New Zealand actually got real pilots and flight attendants to appear in this short video, which Bridie wrote, and then she got her mom to show it to her dad.
Woman In Ad 1
(SUBJECT) WOMAN IN AD 1: It's Father's day in New Zealand, and we want to say thanks to all the amazing dads out there.
Man In Ad 1
(SUBJECT) MAN IN AD 1: Thank you--
Brin Connell
Started off, thank you for being such a wonderful dad. Well, that's generic.
Aviva DeKornfeld
This, of course, is Brin Connell. The video starts out thanking dads for doing regular dad stuff, but as it progresses, it starts getting more and more specific, naming things Brin has actually done.
Brin Connell
Yeah. Thank you for building me a fort when I was young. I'm thinking, oh, I did that. And they were saying things like, thank you for your really bad dad jokes, someone would say. And I go, oh, I do that. Thank you for cooking such great roast dinners. Oh, I do that as well. [CHUCKLES] I was naive.
Man In Ad 2
(SUBJECT) MAN IN AD 2: We love your generosity--
Woman In Ad 2
(SUBJECT) WOMAN IN AD 2: Your spirit--
Brin Connell
And then a female pilot came on and said, That means you, Brin Connell.
Woman In Ad 3
(SUBJECT) WOMAN IN AD 3: Yes, you.
Woman In Ad 4
(SUBJECT) WOMAN IN AD 4: Brin Connell, you're always playing jokes.
Bridie
And then when the video changes and it becomes clear that they're talking to him, he just obviously does not compute for, like, 10 seconds. And then he was like, What? What? What? What? Hey, hang on.
Aviva DeKornfeld
There are 12 firsts of the month each year, and Bridie and Brin have been playing this game for roughly 25 years. So they've done hundreds of pinches and punches at this point. The thing about having such a long running game, though, is that life happens all around it, all the good and bad. A few years ago, Bridie lost someone very close to her.
Brin Connell
Over the period of this tragedy, the first of the month rolled around. And I thought, should I do something or not? Because she was feeling very bruised and lonely and desperate, and I chose to. And it was just something that she could reach out to and go, yeah, dad's here. It's OK. And she just came out to me later and gave me a big cuddle and said, that's just what I needed. Thank you, Daddy.
And she only calls me daddy on very rare occasions. And I can't even remember what it was. I think it was just something fairly banal that month, but it was, I'm in your corner, honey. I'm still here.
Aviva DeKornfeld
There's a lie built into the premise of pinch and punch. It's when they say no returns. They say it every month, and every month, they return.
Ira Glass
Aviva DeKornfeld is a producer on our show.
Act Two: I’ll Repeat the Question
Ira Glass
Act Two, "I'll Repeat the Question." So our show today is about Groundhog Day and what repeating the same thing over and over can accomplish or reveal. And I don't want to say much about this next item before it starts, except to say that it is a common thing when radio reporters sit down to interview somebody, we have to set the record volume properly. So we need the interviewee to just say some words about something while we set recording levels. And so we'll ask them some kind of neutral question, to describe the route they took to work that morning or what they had for breakfast. This comes from radio producer Talia Augustidis.
Talia Augustidis
This needs to be actually quite close to you.
Woman
OK.
Talia Augustidis
Can you tell me what you had for breakfast so I can check the levels?
Woman
Yes. The answer is probably I can't remember. Oh, no-- porridge, porridge. Porridge and blueberries.
Talia Augustidis
You always have the same thing for breakfast.
Woman
Yes.
Talia Augustidis
It's not hard to remember. OK. Porridge and blueberries.
Do you want to tell me what you've had for breakfast this morning?
Woman
Well, if I can remember. Oh, yes. I had-- I had--
Talia Augustidis
There's a hint.
Woman
Porridge.
Talia Augustidis
Yeah, it's over there.
Woman
Porridge and delicious berries.
Talia Augustidis
Do you want to tell me what you had for breakfast this morning?
Woman
Honestly, I can't remember. Oh, yes I can. It's porridge, as usual.
Talia Augustidis
I'm just going to check the levels. So do you remember what we do to check the levels?
Woman
No.
Talia Augustidis
What did you have for breakfast this morning?
Woman
Porridge. And berries.
Talia Augustidis
So OK. I just need to check the levels. Do you remember what we do to check the levels?
Woman
Well, we talked about what I had for breakfast.
Talia Augustidis
Yes.
Woman
OK. So I had-- did we have it for breakfast? Anyway, it was-- it was lovely. Just a loose mouthful. I'm sorry. It just takes so long.
Talia Augustidis
No, that's OK. Let me just check the levels. What did you have for breakfast this morning?
Woman
Same as usual, which, of course, I can't remember.
Talia Augustidis
It's in your mouth. What does it taste like, then?
Woman
It tastes absolutely delicious.
Talia Augustidis
I'm flattered. What did you have for breakfast this morning?
Woman
I had-- I had-- I was going to say breakfast. I had-- I'm so sorry.
Talia Augustidis
That's OK. Don't worry if you can't remember, we'll just-- do you want a different question?
Woman
Yes.
Talia Augustidis
What did you have for breakfast today?
Woman
I probably had porridge and-- stuff. Yeah, nice things.
Talia Augustidis
You didn't eat much of it today. Should we do that before we start? Just try a bit more?
Woman
No, I can't.
Talia Augustidis
OK.
Woman
No.
Talia Augustidis
Let's start then.
Woman
Sorry, it's a bit quick. I might not manage this.
Talia Augustidis
Maybe we shouldn't do the recording today.
Woman
Oh, dear. Oh, dear. OK.
Ira Glass
That story from Talia Augustidis. She's the creator of the podcast Unreality. She first produced this story for Shortcuts, a Falling Tree production for BBC Radio 4.
Act Three: Raiders of the Lost Chard
Ira Glass
Act Three, "Raiders of the Lost Chard." Sometimes the repeating situation that you find yourself stuck in every day is something you do not like, and you want it to end. And I guess like Bill Murray, who was caught on repeat in that old movie, you have to strategize and figure out how to minimize the unpleasantness. David Kestenbaum has this story about that.
David Kestenbaum
The garden was a thing of beauty. Jeff had just moved into a new house in Middletown, Delaware-- kind of a rural area. House did not have a garden, so he built one.
Jeff is a do it yourself kind of guy-- handy with stuff, fixing cars, things around the house. The garden he makes is pretty big. He turns over all the soil, plants rows of seeds. It takes a long time.
Jeff
It's really pristine. Everything's labeled. It backs up to a field, so it's pretty good scenery. Sometimes I'll just sit out there and just relax, look around, look at the different plants growing. It's really peaceful.
David Kestenbaum
But gardening, as the writer Margaret Atwood has noted, is not a rational act. In nature, plants do not grow in tidy, pristine, labeled rows. In fact, nature does not care at all about your little setup.
Jeff was on vacation when it happened. A friend was watering his garden for him.
Jeff
And he had called me. And he said, hey, man, something's eating all these plants. And he showed me a picture. And I was like, oh, man, that's horrible. So when I came back, I had noticed that my sweet potato plants were pretty much gone.
David Kestenbaum
Not just the sweet potatoes.
Jeff
There was stuff-- chunks off the plants, off the fruits. The vegetables-- the tomatoes had chunks in them. Cucumbers had chunks in them.
David Kestenbaum
Chunks eaten out of them?
Jeff
Yeah, just chunks missing randomly throughout the whole garden. It was like a selective process.
David Kestenbaum
Jeff is really upset. He has no idea what is eating his vegetables, so he sets out a trap. One of those cage things that closes when an animal goes inside. And how did that work?
Jeff
A complete failure.
David Kestenbaum
Goes out to check on the trap? Empty. Food in it? Untouched. What is eating the garden? Jeff runs through a list of possibilities.
Jeff
I thought it would be a deer. Maybe birds, rabbits, squirrels, or even a neighbor, a human.
David Kestenbaum
Oh, a neighbor?
Jeff
You never know, right? I mean, it could be anybody.
David Kestenbaum
Yeah, but--
Jeff
I didn't know what it was.
David Kestenbaum
One bite out of a tomato?
Jeff
I wouldn't put it past him.
David Kestenbaum
OK. I never lived where you live in Delaware, so I'll trust you.
Jeff thinks, enough with this. It really is driving him kind of mad. So he gets a motion detector camera. He borrows it from his brother, uses electrical tape to tape it to this old bucket he has and sticks it in the garden. It's one of those cameras that sends videos to your phone. So Jeff waits. He does not have to wait long.
Jeff
I'm at work. Actually, it was right at lunchtime. And I looked right at my phone because I got the notification. And I was really eager, like surprise. I went and I checked it.
David Kestenbaum
And I just want to pause here to describe the cinematic perfection of this next moment. What Jeff sees at first in the video is nothing, like the camera's triggered off, something blowing in the breeze. You see a log in the background and the garden fence. And then a groundhog pops up with what appears to be a cucumber in its paws, rapidly chewing. It is staring right into the camera, head-on. It takes up the whole frame-- so close, you can hear it chewing.
[GROUNDHOG CHEWING]
Jeff
Really funny to see. He's just got this look on his face. It was almost as if he was saying, yeah, it's me. I'm the one eating your garden up. What are you going to do about it?
David Kestenbaum
What are you going to do about it?
Jeff
So at first when I saw it was a groundhog, I was like, oh, they dig. So I was like, I'll put the logs around.
David Kestenbaum
Like around the base of the fencing?
Jeff
Around the base. Maybe that'll help. And no, it didn't. Then I was like, well, let me try to get a little bit more slick. And I would put, like, garden boundary, like landscape boundary, I would put it under the ground about maybe like a foot. So it'd be like a wall almost underground. And so even if they did dig, they'd hit the wall. And you'd think they would stop, right?
David Kestenbaum
Right.
Jeff
No. They just keep digging down until they got under it and then came back out the other side like it wasn't even there. So these are the kind of things I was dealing with, along with seeing him in the camera every day.
David Kestenbaum
Every day it was get up, drive to work, alert on phone, groundhog. Get up, drive to work, alert on phone, groundhog. The only thing that changed was the image-- groundhog with one of Jeff's tomatoes, groundhog with zucchini, groundhog with corn. Never peppers, somehow. Apparently, it didn't like peppers. He is in a Groundhog Day situation with an actual groundhog who, if he has to admit, is kind of cute.
Jeff
So I said, you know what? I'm going to name you Chunk. It seemed very fitting because he was taking chunks out of the vegetables.
David Kestenbaum
I feel like once you name the groundhog, you are crossing some kind of line, you know? I think you lost in that moment.
Jeff
Probably, in some senses.
David Kestenbaum
At some point, a female groundhog turns up. Presumably, she was Chunk's partner. Jeff names her Nibbles. But now he has two groundhogs. Weirdly, both of them would pop up on camera together, facing the same direction, each eating something of his.
[GROUNDHOGS CHEWING]
Jeff, desperate now, has one last idea for how to get out of this endless loop. And when I heard it, it seemed both adorable and completely unlikely to work. The following year, when it's time to plant the garden again, he goes out with his shovel, turns over more earth, and--
Jeff
I gave them their very own garden.
David Kestenbaum
Oh my god.
Jeff
Yeah, I literally planted them their own garden.
David Kestenbaum
A reporter for the website The Dodo heard about the story. The resulting video is titled "Guy Builds Veggie Garden for Family of Groundhogs," which I saw and had questions about. That's why I called Jeff in the first place. I did not see how that was going to work.
Sure, now the groundhogs have their own garden that does not have some big fence around it. But wouldn't they eat their vegetables and then still break through the fencing into his like before? What's to stop them?
David Kestenbaum
Did the plan actually work? If the goal was to get them to stay out of your garden, do they stay out of your garden?
Jeff
Yeah, for the most part because you give them their own plants around that are easier for them to get to, and then you secure yours up more to where it's more effort. And it's just like anyone, they're going to go for the easiest thing, right? The lowest hanging fruit.
David Kestenbaum
That's kind of genius, I have to say.
Jeff
It works.
David Kestenbaum
You said for the most part.
Jeff
Well, I mean, yeah. There are times when they will still eat my vegetables, right? But it's not as bad, right? Because they got other options. But if they somehow happen to get into my garden, which they have-- especially the babies, because the babies are real small, so they can get in--
David Kestenbaum
Wait, wait. Babies?
Jeff
Oh, yeah. Yeah, we have babies.
David Kestenbaum
How many groundhogs do you have now?
Jeff
Seven.
David Kestenbaum
I feel like you started out one place, and you ended up in a very different one.
Jeff
Very. I embraced it. Especially with seeing him in the camera, it made it easy to give up. Seeing them in the camera every day, it eventually won my heart over.
David Kestenbaum
Chunk is still there. Jeff last saw him in the fall. He's probably hibernating under the shed. It's been seven years at this point, which is old for a groundhog, though they can live longer. It helps to have a reliable food source.
Ira Glass
David Kestenbaum is our show's senior editor. Coming up, one man combats the chaos of the world on a narrow block in Brooklyn, week after week, every Tuesday and Thursday. That's in a minute. Chicago Public Radio when our program continues.
This is This American Life. I'm Ira Glass. Today's program, "Groundhog Day." Have you ever had a day that just seems to repeat again and again?
It's This American Life. I'm Ira Glass. Each week on our program, of course, we choose a theme and bring you different kinds of stories on that theme.
It's This American Life. I'm Ira Glass. Each week on our show, of course, we choose a theme and bring you different kinds of stories on that theme.
Well, it's This American Life. I'm Ira Glass. Each week on our program, we choose a theme and bring you a variety of different kinds of stories on that theme. Today's show, "Fiasco." Today on our program, "24 Hours at the Golden Apple."
Today on our program, a story of race and politics in America-- the story of Harold Washington.
Well, it's This American Life. I'm Ira Glass. Today's show, a special co-production with MPR News. A step by step look at what exactly happened during the subprime mortgage crisis.
I'm Ira Glass. It's This American Life, the radio program that dares to ask the question--
Singers
(SINGING) Parlez-vous francais?
Singer 1
(SINGING) Mais oui, allons-y.
Ira Glass
It's This American Life. I'm Ira Glass. Today's program, "The Long Fuse."
[EXPLOSION]
[CHUCKLES]
I had forgotten about that one "The Long Fuse." Doing this theme this week, I have to admit, made me really think about what it feels like to do our program week after week, 853 times. This is our 853rd episode, and it does feel very different making this show for the 853rd time than it did at the very beginning. Definitely, there is a sameness to doing things again and again every week that is not entirely pleasant.
But, of course, while the process of making a show is always the same, the content of the show changes so much. And there's just something about-- I don't know how to put it-- like, it's creating the little dream that radio can be. It always is. I don't know, it just gets to me. When the music enters.
[MUSIC PLAYING]
Thank you for that. Everything you say just sounds smarter when you're saying it over music. And just making all the little parts of the show perfect, or at least as obsessively perfect as you can make it. It's just so easy to get lost in that, even on the 853rd time.
Act Four: Heart of Parkness
Ira Glass
Act 4, "Heart of Parkness." People who own cars in certain cities really are just asking for pain. Certain cities are not set up for them and deliver regular, repeated punishment to car owners. Valerie Kipnis's hometown definitely does that on a schedule that's literally posted on signs.
Valerie Kipnis
Growing up in New York, you get used to the fact that for a few days every week, your street becomes total chaos. That's because the street cleaning truck is scheduled to come through. The first day, you can't park on the left-hand side, so the sweeper can drive down that way. The second day, you can't park on the right. And it's not like there are empty spaces on other blocks you can move your car to.
So all over New York, what people do on street cleaning day is double park. They move their car so it's sitting next to the row of parked cars on the other side. And then they just leave their cars there, double parked, unattended, in the middle of the street for 1 and 1/2 hours, making room for the street cleaner to sweep next to the curb where their car had just sat. 8 million people, and this is the system we use.
A few years ago, I moved to a new neighborhood where the situation is even more intense. The street I live on now is incredibly narrow, just under 25 feet across. I know because I measured, which means that if you don't double park perfectly, very close to the row of already parked cars, you end up blocking all traffic. No cars, no street cleaner can get through. And if one neighbor doesn't come out and move their car, that can block all traffic too.
But this new street I live on also came with something I'd never seen before-- a guy who twice a week has made it his job to try to make this all run smoothly. His persistence, his dedication to this thankless job has always sort of puzzled me, so I went out with him on a Thursday this fall. His name is David, in his 50s, a former Marine-- and, as it happens, my landlord. It's a few minutes before 11:30 when the whole thing begins on our street. David's wearing his usual uniform of a crisp gray cotton T-shirt and basketball shorts.
David
11:30, just get in your cars and double park them and everything works like a charm. Brandon, how are you? They're going to be moving their cars now, you hear me? I'm becoming like [SPEAKING ITALIAN].
Valerie Kipnis
A blabbermouth. David always worries he's coming on too strong.
David
Yeah, so he's moving now. The guy in the white car is moving. Bob's moving. You'll all be able to put your cars right down there.
Valerie Kipnis
His goal this morning is to get everyone on the left side neatly double parking down the middle of our street. To do this, he tries to know everyone on the block. Which cars belong to who? Who tends to run late? Who runs early? Who's new around here? Who needs a reminder?
Like, let me read you some of our most recent texts. Hey, Valerie, it's time for the car. Hey, Valerie, is that your car across the street? Hey, Valerie, don't forget about the car. Today, I'm on time.
David
You know what? You should go right between there.
Valerie Kipnis
Oh. Well, this guy's going to leave right now. I think so.
David
Yeah, he's waiting for his wife. But you go right behind James.
Valerie Kipnis
Where are you going to pull up?
David
I'm going to see what I got to do.
Valerie Kipnis
David's got a black Grand Cherokee Jeep. It's about midway up the block.
David
Because I'm going to either pull up on the sidewalk right here.
[CAR HORN]
Tell him to move in or whatever it is.
Valerie Kipnis
Oh, no. The honking's started.
David
Yeah, you're going to have to--
Valerie Kipnis
All right. I'm moving my car.
He spots James, our neighbor, who just walked out of his house.
David
How are you, James? Yeah, we're double parking now. So we're trying to make a plan. James, she's going to move her car now, too, so you might as well-- if you want to pull right here for now. And she's going to move, and then you could follow suit.
Valerie Kipnis
David nods his head in the direction of my car, like, come on, enough with the interview.
Valerie Kipnis
All right, I'm moving, I'm moving.
It's a really tight parking job. You have to get so close to the car on the other side of the street that your side view mirrors touch.
David
Now we back up. Just back up about another-- I'll tell you when to stop.
Valerie Kipnis
All right.
David
Just watch his side. Don't get-- yeah, you're good, you're good.
Valerie Kipnis
Sometimes when I don't do a good job, David will offer to help, grab my keys, and repark the car for me. Today, I do OK. He lets it be.
It's a couple minutes past 11:30 when all the cars are supposed to have been moved, but only a few have. A few other neighbors, one holding a toddler, the other clearly on a work call, have started coming out of their houses. David waves at them and signals for them to move their cars. We've still got time before the street sweeper comes.
Valerie Kipnis
What are you going to do?
David
I got to sit in the car.
Valerie Kipnis
OK, I'm going to sit with you, then.
We climb in. He double parks. Before David started doing this job, when he was still just a kid growing up on the block, someone else did it. He was a local legend, a guy named Eddie.
David
Like, years ago, Eddie Demaio was-- We called him the mayor. We were kids, and we used to sit there and just watch him, like he's out of his mind.
Valerie Kipnis
One old-timer on the block told me, hey, don't make a hero out of Eddie. Apparently, he was a complicated guy. He would sit in a lawn chair in the street so that cars couldn't get through. He once laid down in the road to save a parking spot for his daughter-in-law. But still, he kept things in order.
David
Like the chess master, you go there, you go here. You go in there, you're going to make it easier for him to pull over there. He's going to come out now. He's going to pull behind you-- and everything works.
Valerie Kipnis
Oh, I know someone who does something just like that, David.
David
Yeah, I know. I became that person.
Valerie Kipnis
Actually, it wasn't like David just became that person. When Eddie got old, he actually passed the mantle to David.
David
Years ago, he goes, Dave, you take the helm.
Valerie Kipnis
But it's gotten harder. When Eddie was the street parking conductor, most houses had one car and the neighbors all knew each other, were all on board with this parking system. They'd grab the keys and move the car for one another. But recently, this block has really changed. Something like a quarter of the houses have been sold to new folks.
It used to be a blue collar, Italian neighborhood. Now it's got people with enough money to throw millions of dollars into buying and renovating entire brownstones. On street cleaning day, the new people seem happy to leave their cars and get a ticket. And also because of the renovations, there are constantly trucks parked on the street which take up space in this game of parking Tetris. Michelle, one of our neighbors, walks past us looking frustrated. David points to her and shakes his head.
David
Michelle. She's looking for a double park spot now. And she lives on the block. It's ridiculous.
Valerie Kipnis
Michelle can't double park her car because there's a Tesla in front of her that hasn't moved in a couple of weeks, and there's a construction dumpster behind her. If she pulls into the spot in the middle lane that's across from where she is right now, she'll block the entire street. This kind of stuff happens all the time. And David knows how he sounds saying this-- like some old guy at the park feeding the pigeons and complaining. His words, not mine. But it really didn't use to be this way.
David
Parking, it's-- We grew up a certain way. We learned a certain way how to handle yourself and to be courteous-- look out for your family, your neighbors. Everybody on your block was like family.
Valerie Kipnis
OK. And now what is it?
David
What is it now? I'm trying to think of a word. It's empty.
Valerie Kipnis
Empty.
David
God forbid there's an ambulance that's coming up. A fire truck-- if there's a fire, you're just causing such-- you never know who has someone sick, who has an infant in their car that has to get home, who has appointments-- serious stuff. You never know who's having a bad day.
Valerie Kipnis
In the last two years, David's had five family members die. Three of them lived here with David in this house, on this block. He took care of them, and it was a lot.
David
Whether it's a nursing home, whether it's hospice, whether it's changing bandages or the oxygen machine that can-- changing the water, making sure there's water in the cup, bedsores, doctors, back and forth to the hospital, watching somebody die.
Valerie Kipnis
I just think that you are taking care of so much.
David
No.
Valerie Kipnis
Yes, you are, David. You're taking care of-- you were taking care of Joan. You had your dad. Now you've got your mom. You're taking care of the house.
David
My Aunt Phil, yeah.
Valerie Kipnis
Your Aunt Phil.
David
Listen--
Valerie Kipnis
But wait, let me finish. I think there's so much things that are happening in the house. I feel like I live in it, so I see it. A lot of stuff's out of your control, but this parking thing-- you're like, can we just get this right?
David
Know what it is? It's something that's not hard. It's a neighborhood thing. It's a block thing. Just do the right thing, and everything falls into place.
Valerie Kipnis
11:45. We get out of the car to check on how the parking is going down the block, and immediately it's clear there's a problem. There's a truck that can't get through with a growing line of cars behind it. No way the street cleaner is going to make it through here.
David
It's going-- It's 3/4 of a block long.
Valerie Kipnis
It's actually chaos. I'm looking right now. The parking-- now everyone's going to start honking.
David
Yeah, there's cars backed up around the corner. You have-- Let's see, you have about 30 cars.
Valerie Kipnis
The problem? On our block, a construction crew has left a barricade of giant plastic orange traffic barriers in the street to hold space for their dump truck. The barriers are on the street cleaning side by the sidewalk, and near them, in the middle of the street, someone has parked their car. No name, no number on the dashboard. There is no room for anyone to squeeze through.
David
You know, this is crazy. It's crazy.
Man
Now he's taking up three spots
David
Now he's taking up three spots.
Valerie Kipnis
For a split moment, David isn't sure what to do. Then a couple other old-timers, our neighbor Bob and this guy Kenny, approach him and they huddle off to the side. I look at them and back to the street. Any minute now and the honking will start. The chaos will ensue. It's tense. The three of them consider their options.
Bob
Yeah, those things are usually filled up with water.
David
Yeah, I know.
Bob
They weigh--
David
Are they?
Bob
They-- Well, there's some water in it because they're not light. And if they were totally filled with water, it would weigh a ton.
Valerie Kipnis
Meaning the barriers are going to be super heavy, like hundreds of pounds. But they've got to try to do something anyway. So the three of them go over to the barriers, which are too heavy to lift, and try to drag them off the road.
[GROANING]
Bob
Hey, they're locked into each other?
David
I'd put them in on his lawn.
[LAUGHTER]
Now they're clogging up the sidewalk.
Bob
Hey, baby.
Valerie Kipnis
David, that looks pretty heavy.
David
Yeah, it's got weight.
Bob
This is constructive vandalism. We're helping each other, like local heroes, hey?
Valerie Kipnis
It takes a while, but they manage to drag the barriers next to the lawn of the house undergoing construction.
Kenny
Now we have enough space. We have enough street there for one car.
Valerie Kipnis
The truck is able to get through. The line of cars finally starts to move, and then after them comes the street sweeper. Sweet, sweet victory.
[ENGINE RUMBLING]
It swerves around the unmoved Tesla and the three other cars that no one cared to move, but makes it through nonetheless. There's no celebration, no moment of victory. David heads out to pick up his mom's meds, then he comes back to feed the birds because he actually does that. In a bit, David gets in his car and moves it back to the left side of the road, checks and makes sure I reparked mine correctly, that the others have, too.
The barriers will reappear overnight, except this time, they'll take up more space. David, Bob, and Kenny will push them to the sidewalk again and then again. The Tesla won't move. The neighbors will be late. Every week, the cycle will repeat itself. This little universe will break apart and David will put it back together again.
Ira Glass
Valerie Kipnis is a producer on our show.
Act Five: It's Been a Hard Year's Night, and I've Been Working Like a Hog
Ira Glass
Act Five, "It's Been a Hard Year's Night, and I've Been Working Like a Hog." So Punxsutawney Phil is not the only groundhog who gets drafted into annual Groundhog Day ceremonies around the country. There's actually a website, groundhogday.com, that lists over three dozen of these poor critters around the United States and Canada. There's French Creek Freddie in West Virginia, Woody the Woodchuck in Michigan. There's a groundhog in New York City at the Staten Island Zoo.
In New York, in the past, the city's mayor used to be part of the groundhog ceremony till 2015, after Bill de Blasio dropped a groundhog. It died later that same week. The current mayor, Eric Adams, is a well-known rodent hater who launched a war on the city's rats, and he has never shown up in person to the ceremony. And as the man who runs the city, he could use his powers to try to shut down the Groundhog Day ceremony on Staten Island once and for all.
And there's somebody out there who would like that very much. We are pleased to bring her to you now. This is a This American Life exclusive. She is a resident of New York, specifically Staten Island-- more specifically, the zoo.
Bess Kalb
Dear Mayor Adams, I'm the groundhog. My name is Susan. I'm nine years old. I have 48 children. None of them are potty trained. All of them need braces. Their fathers are always digging and never helping.
All eight of my nipples are unrecognizable. I haven't ever taken a shower, and I'm at the end of my goddamn rope. You call it Groundhog Day, but have you ever considered what I, the groundhog, actually want?
Do you even know who I am besides some nameless creature you can foist in the air for a photo op? Do you have any idea what I sacrifice for you all? Because when I think about it, from the time I turned two and started having litters of tiny, hairless babies, I have been expected every year to decide the fate of the Northern Hemisphere of the planet.
And not that you have time to even look it up between all your various staged perp walks, but I'm supposed to hibernate from October to April-- from October to April. That's when the rest of my family sleeps. And it's supposed to be when I am finally able to get some rest. Those months, I'm supposed to be out cold, like you-- one Valium deep in a lay-flat business class seat on Turkish Airlines.
Do you have any idea how exhausting it is to be me? 48 children, and they all co-sleep-- judge me-- so I'm kicked by 192 tiny feet all night, every night. And yet, the first week of February, you and your mayor friends are going to yank me out of my burrow because, surprise-- nobody knows how to do anything for five goddamn months without waking up mom.
So will there be six more weeks of winter? Did you see your shadow? Yeah, I see my shadow every time I look in a mirror because I am a shadow of my former self. They never even ask me if I saw it. They just presume whether or not I saw my shadow based on whether I wrinkle my snout at the ground.
This whole holiday, which is supposed to be about me, is predicated on a group of mouth-breathing men in top hats deciding whether or not I was capable of seeing my own shadow. And then they hold me up and shout in my face and then blind me with flashbulbs. But I don't feel seen at all. And I never get an apology. And I never get a thank you.
And by the way, I want everyone to stop calling me a groundhog. A ground hog? That's not even a species. It's an insult. It's calling me dirt pig. Did you know in Canada, I'm called a marmot? That's dignified, that's chic. That's apres-ski.
OK, I hear myself. I know how I sound. I sound exactly like my mother and her mother before her. I come from a proud line of groundhogs who have done this job year after year, and I'm not here to complain. No. Whatever I say, I know it's not going to make a difference. It doesn't matter.
[LIGHTER FLICKS]
[SIZZLING]
I can play my role. I can smile and go through the motions, and for one February morning, let you have a moment of pure escapism, however dumb and degrading and exhausting as it is for me. So go ahead, [PUFFS SMOKE] play the trombones, unfurl your little scroll, and have your weird rodent fortune-telling pageant, because you need it. So send in the clown.
And when you lift me, your groundhog, high into the air, I will look into the crowd and see your vulnerable, yearning human faces staring back at me, standing out in the cold, just desperate to see something that breaks up the gray monotony of your repetitive lives. Trudging in your little puffer jackets, staring at your phones to go sit at a desk and eat a salad every day.
And then you look up, and there I am, the groundhog. When you cheer for me, you are cheering for your own hope that if this ridiculous tradition can endure, maybe you can, too. May it be a happy Groundhog Day for us all. Sincerely, Susan Hog-Kaplowitz.
Ira Glass
Susan Hog-Kaplowitz's letter to Mayor Adams was written and read by Bess Kalb. She writes books and other funny stuff. Her newsletter, which you can find on Substack, is The Grudge Report.
["STUCK ON THE TREADMILL" BY RICHARD THOMPSON]
(SINGING) Well, our money goes out, the bills come in
Round and round, we go again
I come close, but I never win
I'm stuck on the treadmill.
Another day of punching steel till my arm's too numb to feel
Like a hamster on a wheel, I'm stuck on a treadmill
Well, our program was produced today by Aviva DeKornfeld. The people who put together today's program include Bim Adewunmi, Jendayi Bonds, Dana Chivvis, Michael Carmody, Angelo Giavazzi, Chana Joffe-Walt, Tobin Low, Miki Meek, Katherine Rae Mondo, Steven Nelson, Nadia Reiman, Ryan Rumery, Lilly Sullivan, Frances Swanson, Christopher Swetala, Julie Whitaker, and Diane Wu.
Our managing editor is Sarah Abdurrahman and our senior editor is David Kestenbaum. Our executive editor is Emanuele Berry. Special thanks today to Carrie Rose Tyson, Ethan Brooks, Eddie Wang, Lindiwe Dlamini, Saori Tsukada, Avery Trufelman, and Ned Ryerson.
This American Life is delivered to public radio stations by PRX, the Public Radio Exchange. To become a This American Life partner-- it gets you bonus episodes. It gets you ad-free listening. It gets you hundreds of greatest hits episodes that show up right in your podcast feed-- go to thisamericanlife.org/lifepartners. Also very important-- signing up this way also helps keep our program going. Thanks as always to our program's co-founder, Mr. Torey Malatia. You know, he is not a very good dance teacher.
David
You go there, you go here. With you going there, you're going to make it easier for him to pull over there. He's going to come out now. He's going to pull behind you, and everything works.
Ira Glass
I'm Ira Glass. Back next week with more stories of This American Life.