Full episode 216: Give the People What They Want Act Four Handing People Their Dreams Transcript Ali Davis literally hands people their fantasies, in her job at a Chicago video store with a huge porn section. She tells true stories about what the job is like. (10 minutes) ByAli Davis More in Film and FilmmakingView all 717: Audience of One (2020) Sept. 11, 2020 Act Three: Many a Thing She Ought to Understand Our producer Diane Wu spent most of her life thinking she doesn’t have a unique and personal take on The Sound of Music. 717: Audience of One (2020) Sept. 11, 2020 Act Four: The Kid Namastays in the Picture Jaime Amor does yoga storytelling for kids. 535: Origin Story Sept. 19, 2014 Act Three: Wait Wait… Don't Film Me Peter Sagal, host of NPR's Wait Wait...Don't Tell Me, tells Ira the origin story of one of the worst movie sequels ever made. Staff RecommendationsView all 75 Sept. 12, 1997 Kindness of Strangers A locksmith tells the story of an act of kindness he committed, hoping for a small reward. That, and other stories of kindness in New York City. 429 Mar. 11, 2011 Will They Know Me Back Home? Stories of people who've grown so accustomed to wartime that the lives they've left behind no longer make sense.
717: Audience of One (2020) Sept. 11, 2020 Act Three: Many a Thing She Ought to Understand Our producer Diane Wu spent most of her life thinking she doesn’t have a unique and personal take on The Sound of Music.
717: Audience of One (2020) Sept. 11, 2020 Act Four: The Kid Namastays in the Picture Jaime Amor does yoga storytelling for kids.
535: Origin Story Sept. 19, 2014 Act Three: Wait Wait… Don't Film Me Peter Sagal, host of NPR's Wait Wait...Don't Tell Me, tells Ira the origin story of one of the worst movie sequels ever made.
75 Sept. 12, 1997 Kindness of Strangers A locksmith tells the story of an act of kindness he committed, hoping for a small reward. That, and other stories of kindness in New York City.
429 Mar. 11, 2011 Will They Know Me Back Home? Stories of people who've grown so accustomed to wartime that the lives they've left behind no longer make sense.